Tag: Single

  • Tolerance Is a One Way Street

    Tolerance Is a One Way Street



    REBELLIOUSBARD

    Tolerance cannot mean
    one side does all the tolerating.

    Tolerance Is a One-Way Street is RebelliousBard’s rejection of a version of multiculturalism he believes demands endless accommodation from Britain while treating criticism of imported cultures, religions and practices as intolerance in itself. The song moves through knife attacks, religious exemptions, grooming gangs, flags and accusations of racism to make one deliberately uncompromising argument: tolerance that can only ever be demanded from the host society is not mutual tolerance at all.

    Tolerance Is a One Way Street



    ► RebelliousBard • Tolerance Is a One Way Street • Please Sir, Can I Have Some More? BUY
    FOR THE RECORD

    Another day, another headline they try to hide “Community tensions”, yeah, right, they’ve lied
    Knives in the street, tolerance on repeat
    But only one direction. feel the heat

    Another blade in the night, another kid on the ground
    They tell us it’s “enrichment” best not make a sound
    Nowak bleeding out, but the story’s been spun
    Kirpan exemption sacred, till the damage is done

    Last night in Belfast, Stanley knife to the neck
    Sudanese welcome, try to take off a head
    Sikh speakers debating if Nowak’s grave’s for a piss
    While the papers cry “backlash” and give tolerance a kiss

    One-way street of tolerance, bows and bent knees
    Our culture’s “problematic” but theirs? Hands off, please

    Tolerance is a one-way street, mate, don’t you know?
    Celebrate their knives, their courts, their “no-go”
    We fight for our pubs, our flags, our way of life
    And we’re the racists, while the bodies pile high
    Tolerance is a one-way street, see the signs?
    Import the problems, ignore the warning signs

    Grooming gangs rolling, thousands of girls betrayed
    But questioning Sharia? That’s the crime they’ve made
    Burqas in the classroom, Sharia in the shade
    Criticise it softly “Islamophobe” grenade

    Demand we bend over for every faith and rite
    But wave the Union Jack? You’re far-right overnight
    They carve their exceptions, we swallow the cost
    Multicultural utopia, paradise lost

    Tolerance is a one-way street, mate, don’t you know?

    How many more Nowaks, how many Belfast nights?
    Stanley blades swinging under tolerance lights
    One rule for the guests, another for the host
    Britain’s great experiment, who’s paying the most?

    Tolerance is a one-way street, mate, don’t you know?
    Celebrate their knives, their courts, their “no-go”
    We fight for our pubs, our flags, our way of life
    And we’re the racists, while the bodies pile high

    One-way street. one-way street
    Tolerance is a one-way street, mate
    How many more? How many more?
    One-way street. till it all falls down

    WHY THIS SONG EXISTS

    Tolerance Is a One-Way Street followed closely from the events that had already fed into I Don’t Think You Have, Mate. Henry Nowak had been stabbed and, while under arrest, told an officer that he had been stabbed only to receive the now-infamous response that gave the earlier song its title. Within weeks, footage from Belfast showed another horrifying knife attack in which a man appeared to repeatedly slash at another man’s head and neck with a Stanley-style knife. For RebelliousBard, the proximity of the two incidents intensified a much broader frustration already building around immigration, religious and cultural accommodation, grooming gangs and the language used whenever those subjects become uncomfortable. The song asks why tolerance is so often presented as something Britain owes to everybody arriving within it, while expecting reciprocal respect for British culture can itself be condemned as intolerant.


  • I Don’t Think You Have, Mate

    I Don’t Think You Have, Mate



    REBELLIOUSBARD

    What happens when the people asking for protection
    stop believing it will be applied equally?

    I Don’t Think You Have, Mate takes aim at the perception of two-tier policing in Britain, moving through protests, public disorder, speech and violent crime to question whether political sensitivity has begun to influence who receives scrutiny, sympathy and protection. Its title turns one brief exchange into the song’s refrain: a statement of disbelief becoming an accusation about trust in the institutions expected to enforce the law.

    I Don't Think You Have, Mate



    ► RebelliousBard • I Don’t Think You Have, Mate • Please Sir, Can I Have Some More? BUY
    FOR THE RECORD

    Flags in the street, but only the wrong ones get snatched
    Lads on the corner, they turn the other cheek
    While grannies get raided for a mean tweet
    “Community cohesion” that’s the brief

    One side throws bricks, gets a polite chat
    Other side waves a banner, riot van’s on the mat
    Stabbings in the park, but swift only on the chat
    Priorities twisted like a bureaucrat’s knot

    They kneel for the cause when the cameras roll
    But a kid on the ground? Just another patrol

    “I don’t think you have, mate” as the blood hits the floor
    “I’ve been stabbed” , “Nah, you’re fine, settle the score.”
    Handcuffs on the victim while the killer stands tall
    Two-tier justice, watching Britain fall

    “I don’t think you have, mate”, the words that kill
    Protect the narrative, ignore the spill
    From Southport to the streets, the pattern’s clear
    Don’t think you have rights… not if you’re from here

    Nowak on the pavement, bleeding out slow
    Told ’em straight up, but they already know
    Who to believe when the script’s been sold
    Racial abuse claim better safe than bold

    Rudakubana flowers? Nah, the real blooms of grief
    Ignored reports, hushed whispers, no relief
    Grooming gangs whisper while the papers sleep
    But a tweet gone viral? Full SWAT team

    “I don’t think you have, mate” as the blood hits the floor
    “I’ve been stabbed” – “Nah, you’re fine, settle the score.”
    Handcuffs on the victim while the killer stands tall
    Two-tier justice, watching Britain fall

    “I don’t think you have, mate” the words that kill
    Protect the narrative, ignore the spill
    From Southport to the streets, the pattern’s clear
    Don’t think you have rights… not if you’re from here

    One rule for the favoured, one for the rest
    “Far-right” label sticks to your chest
    While the real trouble hides behind the vest
    Of diversity quotas and fear of the press

    How many more Nowaks before they confess?
    The two tiers are cracking under the stress

    “I don’t think you have, mate…”
    “I don’t think you have…”
    Don’t think you have justice today

    WHY THIS SONG EXISTS

    The song was prompted by the case of Henry Nowak. After Nowak said that he had been stabbed while being detained by police, an officer responded, “I don’t think you have, mate.” That exchange became the title and central refrain of the song, and a starting point for its wider anger about policing, institutional judgement and the perception of unequal treatment under the law.


  • Hold Pattern

    Hold Pattern



    VESURA

    Keep everything moving
    by changing nothing.

    Hold Pattern turns routine into something almost mechanical: the same actions, responses and corrections repeated closely enough that nothing has the opportunity to drift. The pattern provides its own kind of stability, but underneath it sits a more uncomfortable question: whether the whole thing actually depends on never stopping long enough to find out.

    Hold Pattern



    ► Vesura • Hold Pattern • Clean Break
    AS SAID

    Wake up, same time, same route
    Same screen, same input
    Sit still, don’t break pace
    Keep form, hold your place
    Small shifts get denied
    Stay locked, don’t deviate

    Same phrase, same reply
    No change, no retry
    Hands move, task repeats
    No gap, no off-beat
    If it slips, reset fast
    Back again, match the last

    Hold pattern, don’t break
    Hold pattern, don’t change
    Hold pattern, stay exact
    Hold pattern, run it back

    If I stop
    Does it fail
    If I stop
    Does it scale

    Hold pattern, don’t break
    Hold pattern, don’t change
    Hold pattern, stay exact
    Hold pattern, run it back

    Run it back

    Run it back


  • Too Much Input

    Too Much Input



    VESURA

    Everything wants attention.
    All at the same time.

    Too Much Input captures the point where ordinary noise stops arriving as separate things and becomes one continuous demand. Messages, conversations, television and music all compete for the same bit of attention until even stepping away doesn’t quieten it. Eventually there is nothing left to process; the only useful response is to switch everything off.

    Too Much Input



    ► Vesura • Too Much Input • Clean Break
    AS SAID

    Too loud already

    Phone lights up, then again
    Different threads, different ends
    Voices stack, overlap
    Can’t track who said what back
    TV on, someone talks
    Another sound cuts across

    Too much input, shut it down
    Too much input, all at once
    Every signal fighting now
    Can’t pick one, can’t adjust

    Music plays, then it clips
    Someone laughs, someone shouts
    I step back, doesn’t help
    Still it pushes in loud
    Try to filter it out
    Still it breaks through the gaps

    Too much input, shut it down
    Too much input, all at once
    Every signal fighting now
    Can’t pick one, can’t adjust

    Cut it off
    Kill the feed
    Pull the plug
    Let me breathe

    Too much input, shut it down
    Too much input, all at once
    Every signal fighting now
    Can’t pick one, can’t adjust

    still ringing


  • Missed By Half

    Missed By Half



    VESURA

    Close enough to hear it.
    Not close enough to understand.

    Missed By Half is about the small misunderstandings that seem harmless until they start accumulating. A word is misheard, an intention is guessed and both people carry on rather than stopping to check. Eventually the disagreement isn’t really about what was originally said at all; it’s about everything each person has been filling in for themselves.

    Missed By Half



    ► Vesura • Missed By Half • Clean Break
    AS SAID

    You spoke fast, I caught half
    Filled the rest, guessed the path
    You said left, I heard right
    We both paused, let it slide
    Small thing, leave it there
    But it stayed in the air

    We don’t say what we mean
    We just nod and agree
    Then it shifts underneath
    Missed by half, every time
    Missed by half, every line

    Later on, same mistake
    Same words, different take
    You correct, I push back
    Now it’s more than the fact
    Not the point, not the phrase
    Just the way that it plays

    We don’t say what we mean
    We just nod and agree
    Then it shifts underneath
    Missed by half, every time
    Missed by half, every line

    Say it clean
    Say it straight
    Don’t adjust
    Don’t translate

    We don’t say what we mean
    We just nod and agree
    Then it shifts underneath
    Missed by half, every time
    Missed by half, every line

    say it again


  • Routine Echo

    Routine Echo



    VESURA

    Keep everything predictable
    and nothing gets a chance to return.

    Routine Echo is about using the ordinary mechanics of a day as a form of control. The same route, the same habits and the same carefully maintained boundaries leave little room for unwanted thoughts to get in. It works, mostly. The problem is that whatever the routine is keeping out hasn’t actually gone anywhere.

    Routine Echo



    ► Vesura • Routine Echo • Clean Break
    AS SAID

    Same time… same steps

    Wake up, same side of the bed
    Same thoughts, nothing new said
    Coffee goes cold in my hand
    I don’t change anything I planned
    Keep it tight, keep it small
    Don’t think past it at all

    If I don’t drift, I don’t slip
    So I stay inside it

    I keep it straight, I keep it clean
    No space for what it used to mean
    I lock it down, I don’t let it move
    Nothing gets through
    Routine echo… step by step
    (Oh-oh) nothing left

    Same route, same turns in place
    I don’t look up, don’t change pace
    Phone lights up, I let it die
    No need to check or ask why
    If it stays out of sight
    Then it stays out of mind

    Every line I draw holds tight
    If I don’t rewrite

    I keep it straight, I keep it clean
    No space for what it used to mean
    Routine echo… step by step
    (Oh-oh) nothing left

    Same route, same turns in place
    I don’t look up, don’t change pace
    Phone lights up, I let it die
    No need to check or ask why
    If it stays out of sight
    Then it stays out of mind

    Every line I draw holds tight
    If I don’t rewrite

    I keep it straight, I keep it clean
    No space for what it used to mean
    I lock it down, I don’t let it move
    Nothing gets through
    Routine echo… step by step
    (Oh-oh) nothing left

    If I stop for even a second
    It comes back in
    So I don’t stop

    I keep it straight, I keep it clean
    Still feel it under everything
    I lock it down, I hold it still
    But it leaks through
    Routine echo… (tight loop)

    Same steps


  • Didn’t Say It Back

    Didn’t Say It Back



    VESURA

    Sometimes the answer
    is the one that never comes.

    Didn’t Say It Back is about a small omission that makes everything suddenly obvious. One person says something that matters and waits for the simplest response; instead, the conversation moves on as though nothing happened. There is no confrontation needed after that. What isn’t said has already answered the question.

    Didn't Say It Back



    ► Vesura • Didn’t Say It Back • Clean Break
    AS SAID

    I said it once, not even loud
    Didn’t push it, didn’t drag it out
    You looked up, then looked away
    Like it didn’t land, or didn’t stay
    Phone lit up, you checked the screen
    Said “one second” in between
    Came back different, tone gone flat
    Like you’d already moved past that

    I waited there for something back
    You just let it pass

    Didn’t say it back, just left it there
    Like it wasn’t even worth the air
    I don’t need a speech or a line
    Just don’t leave me hanging mid-time
    Didn’t say it back, that’s enough
    Don’t dress it up or call it tough
    If it’s gone, then let it go
    Don’t stand there like I don’t know

    You kept talking like it’s fine
    Same pace, same tone, same lines
    Didn’t break, didn’t bend
    Just skipped past it to the end
    I could stop you, pull it back
    Make you deal with what you lack
    But it’s clear in what you don’t
    That you won’t say what you won’t

    No need pushing for a word
    I already heard

    Didn’t say it back, just left it there
    Like it wasn’t even worth the air
    I don’t need a speech or a line
    Just don’t leave me hanging mid-time
    Didn’t say it back, that’s enough
    Don’t dress it up or call it tough
    If it’s gone, then let it go
    Don’t stand there like I don’t know

    Say it now
    No, don’t bother

    Didn’t say it back, that’s the sign
    Didn’t need more than that one time
    I won’t wait for something late
    You already made it clear enough


  • Leave it Like That

    Leave it Like That



    VESURA

    Not every ending
    needs improving.

    Leave It Like That catches the point where two people have exhausted every version of the same conversation. One of them is almost out of the door, but familiar habits keep threatening to pull them back into it. There is no dramatic final argument and no attempt to rescue what is already finished; sometimes the cleanest ending is simply refusing to have the conversation again.

    Leave it Like That



    ► Indi-Glo Blue • Leave it Like That • Clean Break BUY
    AS SAID

    You stood there with your coat half on
    Like you hadn’t picked a side yet
    Keys in hand, not moving still
    Like you might forget why you left
    I said nothing, watched you wait
    You kept looking at the floor
    If there’s something you need to say
    You’ve already said it before

    We don’t need another round
    Same words, same way down

    Leave it like that, don’t fix it now
    Don’t turn it back into something loud
    We both know where this one goes
    No need to spell it out slow
    Leave it like that, just let it sit
    No clean ending, just call it it
    You don’t have to make it right
    Just don’t stay and drag it out tonight

    You sat down but didn’t stay
    Just long enough to change your mind
    Said my name like it still worked
    Then dropped it like you lost the line
    I could push, I could ask
    But it’s already worn thin
    If I pull at it again
    We just end up here again

    Nothing new gets said this time
    Just the same in different lines

    Leave it like that, don’t fix it now
    Don’t turn it back into something loud
    We both know where this one goes
    No need to spell it out slow
    Leave it like that, just let it sit
    No clean ending, just call it it
    You don’t have to make it right
    Just don’t stay and drag it out tonight

    If you stay, we go again
    If you go, that’s how it ends
    There’s no version we haven’t tried
    So just don’t change your mind

    Leave it like that, don’t fix it now
    Don’t turn it back into something loud
    We both know where this one goes
    No need to spell it out slow
    Leave it like that, just let it sit
    No clean ending, just call it it
    You don’t have to make it right
    Just don’t stay and drag it out tonight


  • Same Loop Again

    Same Loop Again



    VESURA

    Routine is useful
    until you notice you’re inside it.

    Same Loop Again catches the repetition of an ordinary day once it becomes impossible not to see it: the same alarm, journey, gestures and tasks, performed almost before there’s time to think about them. Even the smallest attempt to interrupt the pattern somehow finds its way back to the beginning.

    Same Loop Again



    ► Vesura • Same Loop Again • Clean Break BUY
    AS SAID

    Alarm goes off, same time again
    Same route out, same train in
    Screen lights up before I think
    Thumb moves first before I blink

    Different task but same result
    Click it through, don’t interrupt
    Try to change one small thing
    Still end up repeating

    Same loop again, don’t step out
    Know the turns without a doubt
    Run it once, run it clean
    Nothing here I haven’t seen

    Miss a step
    Lose the pace
    Back again
    Same place

    Same loop again, don’t step out
    Know the turns without a doubt
    Run it once, run it clean
    Nothing here I haven’t seen


  • Second Floor Lights

    Second Floor Lights



    VESURA

    Sometimes distance
    is only one floor away.

    Second Floor Lights sits in the strange period after something has ended without either person actually leaving. They still occupy the same familiar world and occasionally cross each other’s path, but neither reaches across the small distance between them. Nothing dramatic happened and nobody needs to be blamed; they simply stopped being part of each other’s lives.

    Second Floor Lights



    ► Vesura • Second Floor Lights • Clean Break BUY
    AS SAID

    Second floor, lights still on
    Same time every night it’s on
    I don’t knock, I don’t call
    Just watch shadows hit the wall

    You stay in, I stay out
    We don’t talk it through or shout
    Same place, different view
    Nothing here to get into

    You walk past, I don’t wave
    Feels too much for what it gave
    It’s not wrong, it’s just done
    No big loss, no one won

    You stay in, I stay out
    We don’t turn it round about
    Same place, different view
    Nothing here to get into

    If I tried, would it change
    Or just feel a bit more strange

    You stay in, I stay out
    We don’t turn it round about
    Same place, different view
    Nothing left to hold onto