BARD RECORDS

Tag: Lisa Coles

  • Front Row Composure

    Front Row Composure

    Good manners can hide
    an impressive amount of hostility.

    Front Row Composure watches two people who understand each other well enough to know exactly what is happening beneath a perfectly civil conversation. Every word, gesture and reaction is carefully managed, particularly with other people watching. Neither loses control. That doesn’t mean either of them is being honest.

    ► BUY
    THOUGHTS, MOSTLY

    You take your seat like it’s nothing
    Smooth expression, well rehearsed
    Every gesture calibrated
    Say just enough, imply the worst
    You tilt your head when you’re listening
    Like you’re generous with space
    But you’re scanning for advantage
    While you’re smiling at my face

    We both understand the setting
    No one says it out loud
    You play polite perfection
    I don’t play to the crowd

    Front Front row composure
    Hands folded tight
    Measured exposure
    Everything tight
    No sudden movements
    No wasted breath
    You watch the reaction
    I watch what’s left

    You adjust the conversation
    Shift the focus when it suits
    Drop a detail like it’s nothing
    Keep the balance slightly loose
    You call it being careful
    I call it being known
    You don’t like loose endings
    You prefer them overthrown

    We don’t need confession
    We don’t need proof
    You manage perception
    I manage the truth

    Front row composure
    Hands folded tight
    Measured exposure
    Everything tight
    No sudden movements
    No wasted breath
    You watch the reaction
    I watch what’s left

    You lean in closer
    Lower your tone
    Ask if I noticed
    How much you’ve grown
    I say I’ve noticed
    That’s technically true
    Growth looks different
    Depending on who

    Front row composure
    Hands folded tight
    Measured exposure
    Everything tight
    No sudden movements
    No wasted breath
    You watch the reaction
    I watch what’s left

  • Low White Light

    Low White Light



    Lisa Coles

    Sometimes being present
    does not require being heard.

    Low White Light finds Lisa Coles moving quietly through a world that never quite stops talking. Rather than competing with the noise around her, she finds comfort in restraint, accepting that a life does not need to be loud, certain or fully understood to leave some evidence that it was lived.

    Low White Light



    ► Lisa Coles • Low White Light • Low White Light
    THOUGHTS, MOSTLY

    Streetlights hum like they know my name
    Windows blink but never say the same
    I walk home slow, just to feel the night
    Every thought dimmed down to low white light

    There’s a comfort in the quiet noise
    In broken beats and half-made choices

    I don’t need to be loud to stay
    I don’t need to be right to remain
    If I disappear into the sound
    Promise I was here, somehow

    Coffee rings on a borrowed desk
    Old regrets in a foreign text
    Everyone’s talking, no one’s near
    Words fall flat when they hit the air

    There’s a rhythm in holding back
    In letting moments slip through cracks

    I don’t need to be loud to stay
    I don’t need to be right to remain
    If I disappear into the sound
    Promise I was here, somehow

    Static breath, the night exhales
    I lean into what never tells

    Low White Light Lisa Coles
  • Low White Light EP

    Low White Light EP

    Released 27 February 2026

    Low White Light EP

    Being quiet and being passive
    are not the same thing.

    Low White Light follows Lisa Coles through three different kinds of restraint: finding comfort away from the noise, learning when not to react, and finally questioning the boundaries she has built around herself. Across the EP, quietness gradually changes from somewhere to hide into something she actively chooses.

    TRACKS

    Select any track to read the lyrics and listen to the recording.

    1. Low White Light
    2. Inside The Sound
    3. Edges Of Myself
    ALBUM NOTES

    Low White Light is built around restraint without surrender. Across three songs, Lisa Coles moves from seeking quieter spaces to recognising the confidence that can exist within them, before turning that same attention inward and beginning to reconsider what she has been protecting.

    ← Lisa Coles

  • Inside The Sound

    Inside The Sound



    Lisa Coles

    There is strength in knowing
    when not to move.

    Inside the Sound is about composure without withdrawal. Lisa Coles finds control not by escaping the noise around her, but by choosing what deserves a reaction and what can simply pass by, holding her ground without needing to make a performance of it.

    Inside The Sound



    ► Lisa Coles • Inside The Sound • Low White Light
    THOUGHTS, MOSTLY

    Streetlight glare on polished steel
    I test the weight of what I feel
    Slow inhale, I hold it tight
    No need to turn it into light

    There’s a power in staying still
    In bending noise to shape my will

    I don’t need to raise my voice
    Silence is a sharper choice
    If I stand inside the sound
    I stay steady, I stay ground

    Neon flickers on my skin
    Let the outside chatter spin
    Measured steps across the floor
    I don’t chase it anymore

    There’s a rhythm in control
    In holding centre, keeping whole

    I don’t need to raise my voice
    Silence is a sharper choice
    If I stand inside the sound
    I stay steady, I stay ground

    Let it press against my frame
    I won’t fracture for a name
    No retreat and no display
    Just the pulse beneath the day

    I don’t need to raise my voice
    Silence is a sharper choice
    If I stand inside the sound
    I stay steady, I stay ground

    Low and clear, I hold my line
    Close and calm, completely mine

    Low White Light Lisa Coles
  • Edges Of Myself

    Edges Of Myself



    Lisa Coles

    Changing does not always mean
    becoming someone else.

    Edges of Myself finds Lisa Coles quietly reconsidering the boundaries she has built around herself. There is no dramatic reinvention or sudden revelation, just the gradual recognition that some old defences can be loosened without losing the person underneath.

    Edges Of Myself



    ► Lisa Coles • Edges Of Myself • Low White Light
    THOUGHTS, MOSTLY

    I map the edges of my tone
    I mark the spaces I call home
    Every pause I leave between
    Says more than what I mean

    There’s a pattern in restraint
    In every truth I almost paint

    I watch myself from just outside
    A quiet shift I let it slide
    If I loosen what I defend
    Who am I beneath the bend

    I weigh the shape of every word
    Hold it back before it’s heard
    Static thoughts that realign
    Shift the edges of my mind

    There’s a rhythm in delay
    In what I choose not to say

    I watch myself from just outside
    A quiet shift I let it slide
    If I loosen what I defend
    Who am I beneath the bend

    Peel the layers slow and light
    Trace the outline in the night
    No collapse, no grand reveal
    Just the way I start to feel

    I watch myself from just outside
    A steadier pulse I let it guide
    If I soften my defence
    I begin again, again

    Breath in time, pulse aligned
    Leave the noise, keep the spine

    Low White Light Lisa Coles