Tag: Lisa Coles

  • For The Time Being

    For The Time Being

    Released 16 October 2026

    For The Time Being

    I don’t know what comes next.
    I’m quite enjoying that.

    For the Time Being is five songs from a period when my life stopped looking quite how it had for eleven years. Some of it is about what I left behind, including a few things I probably should have noticed sooner. Some of it is about buying clothes I wouldn’t normally wear, seeing someone without deciding what to call it, and discovering that an evening alone can just be an evening alone. I haven’t worked everything out, and I’m not particularly interested in pretending I have. This is where I am at the moment. For the time being, that’ll do.

    TRACKS

    Select any track to read the lyrics and listen to the recording.

    1. I’m Doing Fine
    2. Black Dress
    3. Not My Usual
    4. Maybe That’s Enough
    5. Nothing Else Tonight

    EP NOTES

    For the Time Being follows a life rearranging itself after eleven years of familiarity. Across five songs, old relationships give way to new choices, new company and the unexpected pleasure of having nowhere else to be. Nothing is presented as a finished chapter or a fresh beginning. It is simply where things are now.


  • Nothing Else Tonight

    Nothing Else Tonight

    I could go out.
    I just don’t particularly want to.

    Nothing Else Tonight is about an evening in which absolutely nothing happens, which turns out to be quite underrated. There’s washing I haven’t done, something forgettable on television and a plate I’ll deal with tomorrow. I nearly made plans simply because having no plans felt like something I ought to correct. Then I realised I was warm, comfortable and perfectly happy where I was. Sometimes being on your own isn’t a situation that needs fixing. Sometimes you just don’t fancy moving.

    ► BUY
    THOUGHTS, MOSTLY

    I left the washing where it was
    Turned the big light off
    There’s something on I’ve half been watching
    I’ve already lost the plot

    Someone’s laughing two doors down
    A car pulls up outside
    I thought about going somewhere
    Then changed my mind

    Nothing happened
    Nothing changed
    For once, that’s been alright

    There’s nothing else tonight
    Nothing I need to do
    Nowhere I said I’d be
    No plans I’m running to

    Everything I’ve left undone
    Can stay that way till morning
    There’s nothing else tonight
    And I’m quite happy here

    I found something in the freezer
    Ate it sitting on the couch
    Left the plate there for a while
    Still haven’t moved it now

    The heating clicked off hours ago
    Blanket round my knees
    Looked up and it was nearly midnight
    Could’ve sworn it was ten

    Nothing happened
    Nothing changed
    For once, that’s been alright

    There’s nothing else tonight
    Nothing I need to do
    Nowhere I said I’d be
    No plans I’m running to

    Everything I’ve left undone
    Can stay that way till morning
    There’s nothing else tonight
    And I’m quite happy here

    I nearly texted someone
    To see what they were doing
    Picked my phone up
    Put it down

    Didn’t really fancy moving

    There’s nothing else tonight
    Nothing I need to do
    Nowhere I said I’d be
    No plans I’m running to

    Everything I’ve left undone
    Can stay that way till morning
    There’s nothing else tonight
    And I’m quite happy here

    Nothing else tonight
    That’ll do me fine


  • Maybe That’s Enough

    Maybe That’s Enough

    Not everything needs a name.
    That includes whatever this is.

    Maybe That’s Enough is about liking someone without immediately needing to know where it’s going. He comes over, we have a good evening, he goes home and nobody has to turn it into a conversation about what happens next. After eleven years of knowing exactly where everything belonged, I’m quite enjoying leaving a few things undecided. Maybe it becomes something. Maybe it doesn’t. I’m trying not to ruin a perfectly nice present by demanding a future from it.

    ► BUY
    THOUGHTS, MOSTLY

    You said you’d call when you got home
    I didn’t ask what time
    I watched you leave, then made some tea
    And didn’t change my mind

    You left your jacket on the chair
    You’ll probably want it back
    I thought about what that might mean
    Then stopped myself at that

    Maybe that’s enough
    You come round, I let you
    We stay up too late
    I like being with you

    Maybe that’s enough
    Don’t need to make it more
    You know where I live
    You know which one’s my door

    You asked me what I’m doing Friday
    I said I wasn’t sure
    A year ago I’d need a reason
    Now I don’t anymore

    There’s still a toothbrush in the drawer
    I haven’t made you space
    You haven’t tried to leave one here
    I rather like it that way

    Maybe that’s enough
    You come round, I let you
    We stay up too late
    I like being with you

    Maybe that’s enough
    Don’t need to make it more
    You know where I live
    You know which one’s my door

    My friend asked what we’re calling this
    I said I didn’t know
    She waited for the rest of it

    There wasn’t any more

    Maybe that’s enough
    You come round, I let you
    We stay up too late
    I like being with you

    Maybe that’s enough
    Don’t need to make it more
    You know where I live
    You know which one’s my door

    Maybe that’s enough
    For now, I think it is


  • Not My Usual

    Not My Usual

    Apparently, “not my usual”
    isn’t the same as “not me.”

    Not My Usual is about the small pleasure of realising nobody else gets a vote anymore. I went looking for clothes, tried on things I’d normally walk straight past and spent slightly more than I intended. Nothing profound happened. I just stopped asking whether something looked like the person I’d been for the last eleven years. The jacket was unnecessary, the bags were getting heavy and I probably didn’t need half of it. I had a very nice afternoon.

    ► BUY
    THOUGHTS, MOSTLY

    I only came in for a look
    That’s what I told myself
    Now there’s six things on my arm
    And three more on the shelf

    The green one’s probably too much
    The red one’s slightly tight
    The woman says it suits me
    So naturally, she’s right

    I would’ve put it back before
    Said it’s not really me
    Funny how much easier that gets
    When no one’s there to disagree

    It’s not my usual
    That’s why I like it
    Little too bright
    Might still buy it

    I don’t need somewhere
    Special to wear it
    If it looks good
    That’s reason enough

    It’s not my usual
    Maybe that’s the point
    I’ve had the usual
    Long enough

    I tried the sensible one first
    It made me look like work
    The blue one nearly had a chance
    Until I saw the skirt

    I found a jacket half price
    That I absolutely don’t need
    Walked around the shop without it
    Then went back for it at three

    I used to hear an opinion
    Before I’d even left the room
    Now the only voice I’m listening to
    Says get the better shoes

    It’s not my usual
    That’s why I like it
    Little too bright
    Might still buy it

    I don’t need somewhere
    Special to wear it
    If it looks good
    That’s reason enough

    It’s not my usual
    Maybe that’s the point
    I’ve had the usual
    Long enough

    Two bags and a coffee
    More than I meant to spend
    I’ll probably take one thing back

    Probably

    Not today

    It’s not my usual
    That’s why I like it
    Little too bright
    Already bought it

    I don’t need somewhere
    Special to wear it
    If it looks good
    That’s reason enough

    It’s not my usual
    Maybe that’s the point
    I’ve had the usual
    Long enough


  • Black Dress

    Black Dress

    Eleven years is a long time.
    Apparently, it still fits by the door.

    Black Dress is about what remains once a long relationship has been reduced to boxes, possessions and two rather different versions of what happened. There are things worth arguing over and things you eventually realise aren’t worth another conversation. The dress stays. So does my name, my side of the story and, rather inconveniently for him, a perfectly functional life afterwards. He can keep the good towels.

    ► BUY
    THOUGHTS, MOSTLY

    You took the good towels when you left
    And somehow left the bills
    Three boxes marked “not worth much”
    Were mostly mine, but still

    You’d cleared your side by half past two
    I’d changed the lock by four
    Funny how eleven years
    Fits neatly by the door

    I found the restaurant receipt
    From somewhere you once lied
    Two drinks, a meal, a Tuesday night
    You said you’d worked till five

    I nearly rang to ask you why
    Then put the phone away
    I’d known enough for long enough
    There wasn’t more to say

    I kept the black dress
    I kept the receipt
    I kept my name
    You kept your story

    You took the towels
    You took your things
    You took eleven years
    And called it leaving

    I kept the black dress
    (black dress)
    It still looks good on me
    And I won’t be sweet
    No, I won’t be sweet

    Your mother called on Sunday night
    To tell me you’re “not well”
    I said I’m sorry, naturally
    She had a lot to tell

    Apparently you mention me
    Whenever things go wrong
    It’s nice to know I’m useful still
    Now that I’ve moved on

    You always liked the version where
    I couldn’t cope alone
    Still falling into pieces
    Still waiting by the phone

    Sorry if it spoils the story
    Nothing fell apart
    I bought myself a bigger bed
    And sleep right in the middle

    I kept the black dress
    I kept the receipt
    I kept my name
    You kept your story

    You took the towels
    You took your things
    You took eleven years
    And called it leaving

    I kept the black dress
    (black dress)
    It still looks good on me
    And I won’t be sweet
    No, I won’t be sweet

    You can tell them I was difficult
    I’ll give you that for free
    Tell them whatever works
    As long as it was mostly me

    Just leave out Wednesday morning
    When you came back for your things
    And stood there in the doorway
    Waiting to be let back in

    I kept the black dress
    I kept the receipt
    I kept my name
    You kept your story

    You took the towels
    You took your things
    You took eleven years
    And called it leaving

    I kept the black dress
    (black dress)
    It still looks good on me
    And I won’t be sweet
    No, I won’t be sweet


  • I’m Doing Fine

    I’m Doing Fine

    Doing fine is one thing.
    Wanting them to notice is another.

    I’m Doing Fine is about that slightly inconvenient stage of moving on when life really has got better, but you haven’t become quite as indifferent as you’d like to think. The routines have changed, the room feels like yours again and hearing their name doesn’t ruin the day anymore. That’s progress. Still hoping they occasionally realise what they lost? Apparently, that can come along for the ride.

    ► BUY
    THOUGHTS, MOSTLY

    I’m up before the alarm
    Got somewhere I need to be
    I don’t check the other pillow
    Before I make the tea

    I finally changed the bedroom round
    Your side is mine as well
    I don’t rehearse what I would say
    If somebody asked how I felt

    I’m not saying I’m over it
    I’m saying it doesn’t decide
    What kind of morning I’m having
    Or who I’m seeing tonight

    I’m doing fine
    Better every day
    I’m doing fine
    That’s all I gotta say
    But when you’re alone
    I hope you feel my name
    I’m doing fine
    And I hope you regret that day

    I bought the shoes you would’ve said
    I’d never really wear
    Wore them out last Friday night
    Without hearing your opinion

    I heard you’re seeing someone else
    From someone who would know
    I smiled a little too quickly
    Then asked where we should go

    I’m not saying it’s perfect
    I still have the odd bad day
    But I don’t ask how you’re doing
    When somebody says your name

    I’m doing fine
    Better every day
    I’m doing fine
    That’s all I gotta say
    But when you’re alone
    I hope you feel my name
    I’m doing fine
    And I hope you regret that day

    Maybe when somebody asks you
    Why we couldn’t make it last
    You hesitate a second
    Before rewriting all the facts

    I’m doing fine
    Better every day
    I’m doing fine
    That’s all I gotta say
    But when you’re alone
    I hope you feel my name
    I’m doing fine
    And I hope you regret that day

    I’m doing fine
    Better every day
    I’m doing fine
    Most of the way
    I don’t want you back
    I just want you to say
    I’m doing fine
    And I hope you regret that day


  • Halfway Chapters

    Halfway Chapters

    Released 17 April 2026

    Halfway Chapters

    Somewhere between where you were
    and where you’re going, life carries on.

    Halfway Chapters finds Lisa Coles taking stock without pretending everything has been resolved. Across four songs, old expectations are reconsidered, messages remain unsent, familiar habits become harder to dismiss and carefully managed conversations reveal more than intended. These are not dramatic turning points, but smaller moments when you recognise something about yourself, even if you haven’t quite decided what to do about it yet.

    TRACKS

    Select any track to read the lyrics and listen to the recording.

    1. Halfway Chapters
    2. Folded Letters
    3. Just One Glass
    4. Front Row Composure

    EP NOTES

    Halfway Chapters catches Lisa Coles in moments of quiet reassessment. These songs sit with changing expectations, things left unsaid, habits we recognise in ourselves and the careful ways people manage what they reveal. Nothing is completely resolved. Life simply looks a little different once you’ve noticed what’s there.


  • Just One Glass

    Just One Glass

    A habit can stay small
    for as long as you keep calling it one.

    Just One Glass follows the quiet negotiation behind an ordinary evening routine. One drink is a way to switch off, tomorrow is always the day to skip it, and every familiar excuse keeps the question comfortably at a distance. Lisa knows she could stop. The more revealing admission is that, for now, she doesn’t want to.

    ► BUY
    THOUGHTS, MOSTLY

    I pour a glass around 8:30
    Call it winding down
    It’s been a long day and I’m still switched on
    I tell myself it’s nothing
    Just a way to pause
    Nothing dramatic
    Just a little break

    I’ve done this before
    I’ll do it again

    Just one glass
    Just tonight
    Just to smooth the noise inside
    Just one glass
    Nothing more
    I’ve said that before

    Phone buzzes past midnight
    Old chats I can’t delete
    Scrolling slowly
    Let it run instead
    Alarm comes too early
    Head a little heavy
    Coffee too strong
    Promise I’ll skip it tomorrow

    I’ve done this before
    I’ll do it again

    Just one glass
    Just tonight
    Just to smooth the noise inside
    Just one glass
    Nothing more
    I’ve said that before

    I could stop
    I could walk away
    I just don’t want to

    Just one glass
    Just tonight
    Just to smooth the noise inside
    Just one glass
    Nothing more
    I’ve said that before


  • Front Row Composure

    Front Row Composure

    Good manners can hide
    an impressive amount of hostility.

    Front Row Composure watches two people who understand each other well enough to know exactly what is happening beneath a perfectly civil conversation. Every word, gesture and reaction is carefully managed, particularly with other people watching. Neither loses control. That doesn’t mean either of them is being honest.

    ► BUY
    THOUGHTS, MOSTLY

    You take your seat like it’s nothing
    Smooth expression, well rehearsed
    Every gesture calibrated
    Say just enough, imply the worst
    You tilt your head when you’re listening
    Like you’re generous with space
    But you’re scanning for advantage
    While you’re smiling at my face

    We both understand the setting
    No one says it out loud
    You play polite perfection
    I don’t play to the crowd

    Front Front row composure
    Hands folded tight
    Measured exposure
    Everything tight
    No sudden movements
    No wasted breath
    You watch the reaction
    I watch what’s left

    You adjust the conversation
    Shift the focus when it suits
    Drop a detail like it’s nothing
    Keep the balance slightly loose
    You call it being careful
    I call it being known
    You don’t like loose endings
    You prefer them overthrown

    We don’t need confession
    We don’t need proof
    You manage perception
    I manage the truth

    Front row composure
    Hands folded tight
    Measured exposure
    Everything tight
    No sudden movements
    No wasted breath
    You watch the reaction
    I watch what’s left

    You lean in closer
    Lower your tone
    Ask if I noticed
    How much you’ve grown
    I say I’ve noticed
    That’s technically true
    Growth looks different
    Depending on who

    Front row composure
    Hands folded tight
    Measured exposure
    Everything tight
    No sudden movements
    No wasted breath
    You watch the reaction
    I watch what’s left


  • Halfway Chapters

    Halfway Chapters

    Some plans disappear
    without anything going wrong.

    Halfway Chapters finds Lisa Coles taking stock at thirty-five, looking at the ambitions, choices and versions of the future that once seemed certain. Some happened, some didn’t, and some simply stopped mattering. Rather than mourning what has passed, she begins to see the years ahead as something still hers to shape.

    ► BUY
    THOUGHTS, MOSTLY

    I stand in front of the mirror tonight
    Pull out the old photos from the shelf
    Laugh at the plans that I once held tight
    Think how quietly some dreams left themselves

    Thirty-five and the clock keeps moving
    Half the chapters behind, half still to write
    Time to stop chasing what’s always proven
    Empty and start building something that’s right

    Halfway through, but I’m not done
    All the years I’ve lost, all the miles I’ve run
    I’ve got just as many ahead as behind
    Time to hold the truths I can find

    I remember nights I stayed up awake
    Sketching the futures that never came
    Some roads I chose, some I let break
    Some doors closed quietly without blame

    Thirty-five and the clock keeps moving
    Half the chapters behind, half still to write
    Time to stop chasing what’s always proven
    Empty and start building something that’s right

    Halfway through, but I’m not done
    All the years I’ve lost, all the miles I’ve run
    I’ve got just as many ahead as behind
    Time to hold the truths I can find

    I don’t need the applause or the fame
    Just the quiet proof that I played my game
    Every small choice, every late-night fight
    Shapes the half ahead I hold in sight

    Halfway through, but I’m not done
    All the years I’ve lost, all the miles I’ve run
    I’ve got just as many ahead as behind
    Time to hold the truths I can find