Released on 27 February 2026, Low White Light introduced Lisa Coles to the Bard Records catalogue with a collection of atmospheric trip-hop tracks centred around intimate vocals and understated electronic production.
The EP established the distinctive sound of the project, combining melancholy, warmth and late-night textures while expanding the label’s growing range of artists and musical styles.
Low White Light is available on all major streaming platforms.
Sometimes being present
does not require being heard.
Low White Light finds Lisa Coles moving quietly through a world that never quite stops talking. Rather than competing with the noise around her, she finds comfort in restraint, accepting that a life does not need to be loud, certain or fully understood to leave some evidence that it was lived.
Streetlights hum like they know my name
Windows blink but never say the same
I walk home slow, just to feel the night
Every thought dimmed down to low white light
There’s a comfort in the quiet noise
In broken beats and half-made choices
I don’t need to be loud to stay
I don’t need to be right to remain
If I disappear into the sound
Promise I was here, somehow
Coffee rings on a borrowed desk
Old regrets in a foreign text
Everyone’s talking, no one’s near
Words fall flat when they hit the air
There’s a rhythm in holding back
In letting moments slip through cracks
I don’t need to be loud to stay
I don’t need to be right to remain
If I disappear into the sound
Promise I was here, somehow
Static breath, the night exhales
I lean into what never tells
Being quiet and being passive
are not the same thing.
Low White Light follows Lisa Coles through three different kinds of restraint: finding comfort away from the noise, learning when not to react, and finally questioning the boundaries she has built around herself. Across the EP, quietness gradually changes from somewhere to hide into something she actively chooses.
Select any track to read the lyrics and listen to the recording.
Low White Light is built around restraint without surrender. Across three songs, Lisa Coles moves from seeking quieter spaces to recognising the confidence that can exist within them, before turning that same attention inward and beginning to reconsider what she has been protecting.
There is strength in knowing
when not to move.
Inside the Sound is about composure without withdrawal. Lisa Coles finds control not by escaping the noise around her, but by choosing what deserves a reaction and what can simply pass by, holding her ground without needing to make a performance of it.
Streetlight glare on polished steel
I test the weight of what I feel
Slow inhale, I hold it tight
No need to turn it into light
There’s a power in staying still
In bending noise to shape my will
I don’t need to raise my voice
Silence is a sharper choice
If I stand inside the sound
I stay steady, I stay ground
Neon flickers on my skin
Let the outside chatter spin
Measured steps across the floor
I don’t chase it anymore
There’s a rhythm in control
In holding centre, keeping whole
I don’t need to raise my voice
Silence is a sharper choice
If I stand inside the sound
I stay steady, I stay ground
Let it press against my frame
I won’t fracture for a name
No retreat and no display
Just the pulse beneath the day
I don’t need to raise my voice
Silence is a sharper choice
If I stand inside the sound
I stay steady, I stay ground
Low and clear, I hold my line
Close and calm, completely mine
Changing does not always mean
becoming someone else.
Edges of Myself finds Lisa Coles quietly reconsidering the boundaries she has built around herself. There is no dramatic reinvention or sudden revelation, just the gradual recognition that some old defences can be loosened without losing the person underneath.
I map the edges of my tone
I mark the spaces I call home
Every pause I leave between
Says more than what I mean
There’s a pattern in restraint
In every truth I almost paint
I watch myself from just outside
A quiet shift I let it slide
If I loosen what I defend
Who am I beneath the bend
I weigh the shape of every word
Hold it back before it’s heard
Static thoughts that realign
Shift the edges of my mind
There’s a rhythm in delay
In what I choose not to say
I watch myself from just outside
A quiet shift I let it slide
If I loosen what I defend
Who am I beneath the bend
Peel the layers slow and light
Trace the outline in the night
No collapse, no grand reveal
Just the way I start to feel
I watch myself from just outside
A steadier pulse I let it guide
If I soften my defence
I begin again, again
Breath in time, pulse aligned
Leave the noise, keep the spine